— From Pedagogy, Praxis, Ulysses
A quotation omitted from the above excerpt:
In Ulysses, there is "… the same quality of simultaneity as in cubist collage. Thus, for example, Bloom surveys the tombstones at Paddy Dignam's funeral and, in the midst of platitudinous and humorous thoughts, remembers Molly 'wanting to do it at the window'…."
Related material from quotations at the poetry journal eratio:
"The guiding law of the great variations in painting is one of disturbing simplicity. First things are painted; then, sensations; finally, ideas. This means that in the beginning the artist's attention was fixed on external reality; then, on the subjective; finally, on the intrasubjective. These three stages are three points on a straight line."
— Jose Ortega y Gasset ("On Point of View in the Arts," an essay on the development of cubism)
Related material on
tombstones and windows:
Geometry's Tombstones,
Galois's Window, and
Architecture of Eternity.
See also the following part
of the eratio quotations:
Quotations arranged by
Gregory Vincent St. Thomasino
BlueCollarGoddess
And thus, Deja Vu is explained.