of Saint Nicholas

Quotation from Log24 on
September 14, 2003–
Readings on Aesthetics for the
Feast of the Triumph of the Cross:
“We’re not here to stick a mirror on you. Anybody can do that, We’re here to give you a more cubist or skewed mirror, where you get to see yourself with fresh eyes. That’s what an artist does. When you paint the Crucifixion, you’re not painting an exact reproduction.”
— Julie Taymor on “Frida” (AP, 10/22/02)
|
“Saint Francis Borgia at the Deathbed of an Impenitent [above], painted by Francisco Goya (1746-1828) in 1788, is one of the most astonishing works in an oeuvre replete with remarkable images. In the decade and a half since its inclusion in Robert Rosenblum‘s survey* of nineteenth-century art, this canvas has become widely known among scholars and their students. Rosenblum, following a line of interpretation that dates back to the middle of the nineteenth century, uses this painting to support a symptomatic reading of Goya’s art, which he describes as ‘the most sharply accurate mirror of the collapse of the great religious and monarchic traditions of the West.'”
— Andrew Schulz in The Art Bulletin, Dec. 1, 1998 * 19th-Century Art, by H. W. Janson and Robert Rosenblum, 1984 |
the Feast of St. Nicholas.
For more on
St. Francis Borgia, see
In Lieu of Rosebud.
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